Heritage Tile Technique
Vibrant blue, turquoise, and white glazed tiles arranged in intricate Mughal patterns. Pakistan's master heritage tile tradition — preserving Wazir Khan Mosque style + Multan tomb tradition.
Kashi-kari (named after Kashan, Persia — the technique's origin) is the art of using glazed ceramic tiles in geometric, floral, and calligraphic patterns as architectural decoration. In Pakistan, kashi-kari reached two distinctive expressions: Mughal-era kashi-kari (Wazir Khan Mosque) and Multani Sultanate kashi-kari (tombs).
The technique uses tiles painted with metal oxide glazes — cobalt blue (CuO), turquoise (CuCO3), white (tin glaze), yellow (FeO + Sb), fired to high temperatures for vibrant permanent color.
Best example: Wazir Khan Mosque (1634-35). Intricate floral + geometric patterns in cobalt blue, turquoise, white. Recent restoration led by Aga Khan Trust for Culture.
Best example: Tomb of Shah Rukn-e-Alam (14th century). Distinctive blue + white tile work covering massive surfaces. Different style from Mughal — earlier, more austere.
Yes — limited number of traditional kilns in Multan and Lahore continue producing kashi-kari tiles. Heritage restoration projects require specific commissioning to match exact dimensions and glaze colors.
Slow process: tile sourcing/commissioning weeks, setting + curing weeks per area. Large monument restoration is multi-year work proceeding in phases.
Modern factory tiles differ in: dimensions, glaze chemistry, color depth, surface texture. Using them creates visible aesthetic mismatch and chemical compatibility issues with original substrate.